A stranger in the city, with little idea of its geography, I frequently found myself drawn to the Plaza Mayor over that first weekend. As the centrepiece of the capital, the expansive, pedestrianised square is a welcome breath of open-space. Neatly symmetrical, it is bordered by three grand buildings, each decorated by uniform rows of neat balconies with matching white shutters and lined by clusters of chairs and tables, carefully arranged by the overpriced cafés. A picture-perfect scene, the imposing central statue, that of a portly horse and a proud rider, is framed by two clocktowers standing tall either side of the main building, which is elaborately painted in yellows and golds. It is only on closer inspection do you notice that each clock keeps a different time, and that the subtle colours of the building´s artwork disguise curiously lurid paintings of naked women.
Initially his distinctive outline seemed glaringly incongrous with the grandeur of the square. Now however, Spiderman has become something of a fitting peculiarity. Dressed from head to toe in a trademark red and blue suit, which has long since lost its elasticity, he strides confidently around the square, hands clasped loosely behind his back and belly thrust forward, pausing periodically in different locations to survey the scene. The faded tunic stretches easily over the large, rotund curve of his belly, the neckline pulled low to reveal a fleshy ring of skin between suit and mask and the slack fabric gathering loosely in folds under his distended belly. The trouser legs fall just short of his ankles grazing his calf, revealing long, well-worn trainers, a sun-bleached black and imprinted with the characteristic red web.
In quieter moments, he might pause from his duties and lean wearily against the clocktower, one leg resting on the pillar. With his mask folded up to nose level, his leathery skin creased under his nose in a slight snear, he puffs idly on a cigarette, occasionally raising a hand in a casual salute to other performers, or grunting a greeting to a nearby waitor. However, always on the pulse of the square, he is quick to jump back into action should he glimpse a prospective customer. Hastily stubbing out a cigarette, he unrolls his mask and slips easily into his rehearsed theatrics: affecting a booming voice he barks select words and pulls choice poses alongside tourists who shuffle awkwardly at his side, smiling sheepishly at the flashes and snaps of their camera amidst the bellows of “...and now scaaary...and “...seeexy...!”
I am now a regular visitor to the square, taking half an hour most days to sit on one of the circular stone benches that mark the four corners of the cobbled square and watch the world go by. As the incessant heat of summer has abated, the clear blue skies of August first becoming heavy with autumnal clouds and then sharp with the biting freshness of winter, the square has become a hive of activity. Now, a steady stream of people filter through the lofty arched entrances at each corner and a motley assortment of street performers mingle with the crowd to ply their trade.