
I felt as if I had morphed straight into the 1950s: my yoga-fuelled huff lifted instantly. A fan of rummaging around the clutter of second hand shops, I find that there is something instantly appealing about things from the past and am instantly drawn to anything with a story behind it. In fact, I spend a disproportionate amount of time imagining life as it was generations ago, dreaming of discovering a time-travelling DeLorean to zoom me through the ages Marty McFly style… I recently went to see Woody Allen’s Midnight in Paris, a slightly off-the-wall tale about a man who discovers he can teleport through time to the 1920s. No question about it, I would leap at the chance for a night of 1920s revelry. As much as I love the 80s (headbands and comfy fashion), just imagine swooning about in a Europe where everyone is an artist: the roaring twenties, the golden age, the crazy years…
However, as a wide-eyed and innocent Owen Wilson shows us in Woody´s latest romp, is it simply a case of ´the grass is always greener´? In every era Wilson visits the contemporaries he encounters are pining for a generation-past: the previous Golden Age. Is it that, no matter where – or when - you are, the past is always perceived to have been better than the present? Looking back wistfully on school days or university years as the best time of your life certainly seems to be a habit inherent in society. I often smile back on my schooldays and reminisce about fumbling together coloured maps for geography posters or messing about with Bunsen Burners… Warm and fuzzy reflections. That however is certainly a case of selective forgetfulness. I don´t have to strain my mind much for memories of missing the train every morning and doing battle with balanced equations to sharpen up those rose-tinted lenses.
Perhaps perspectives of ages-past are similarly forgetful. Put the 1920s in context as a decade sandwiched between two world wars and it’s instantly clear that it can’t have been all cultural dynamism and hedonism; economic collapse and the rise of fascism must have featured somewhere. But who wants to read about unemployment and social misery when you can get lost in the glitz and glamour of the artist (even if it is superficial)? It certainly makes it easy to be sentimental about an era you never lived through - simply because you´ve not experienced the cold, hard reality of it. Similarly, when bogged down by pessimistic press and mundane day-to-day monotonies, it’s easy to overlook the present.

Even so, as much as I can appreciate the perks and quirks of the hear and now, I’m still dreaming about the DeLorean…